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Theatre: Mood Music and Absolute Hell, reviewed by Paul Bailey
Arts | By Paul Bailey

Theatre: Mood Music and Absolute Hell, reviewed by Paul Bailey

​Poor Rodney Ackland. When his play The Pink Room was staged at the Lyric Theatre, Hammersmith, in 1952, the London critics savaged it. They took a high moral line regarding the dramatist’s unhealthy interest in the lives of men and women who spent their days and nights drinking to excess and indulging in sexual activities of a kind that right-thinking people considered unacceptable.
Exhibitions: Monet & Architecture at the National Gallery
Arts | By Huon Mallalileu

Exhibitions: Monet & Architecture at the National Gallery

Glory be! Here we have an exhibition with ‘Monet’ in the title offering more than the usual two or three paintings by the master, a lot of padding and a room of contemporary for ‘relevance’. This one does exactly what it says on the placards: there are 78 paintings by the man himself, and nothing else. Only the Musée Marmottan Monet in Paris can beat this for numbers.
Radio: Too much #MeToo?
Arts | By Valerie Grove

Radio: Too much #MeToo?

There was so much airtime given to Mothering Sunday schmaltz but Carla Bruni's breathy french accent has saved the waves says Valerie Grove
Film: The Post (12A), Early Man (PG), Three billboards outside Ebbing, Missouri (15) and Darkest Hour (PG) discussed
Arts | By Marcus Berkmann

Film: The Post (12A), Early Man (PG), Three billboards outside Ebbing, Missouri (15) and Darkest Hour (PG) discussed

'History can be so disappointingly linear,' Marcus Berkmann concludes. But, about which film?
Theatre: Paul Bailey reviews Hamilton
Arts | By Paul Bailey

Theatre: Paul Bailey reviews Hamilton

'Lin-Manuel Miranda’s extraordinary musical Hamilton, which looks as if it will be playing at London’s Victoria Palace Theatre into infinity...'
Film
Arts | By Marcus Berkmann

Film

THE LAST JEDI (PG-13)
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